Starting Narratives

Category: Uncategorized

  • When One Song Changes Everything – A Lesson in Editing

    When One Song Changes Everything – A Lesson in Editing

    A few weeks ago, while editing one of the acts from my documentary, I learned just how much film editing can change the meaning of a story. The act I was working on focused on the rise of junk food in America and how this trend has quietly shaped our health as a nation. The tone was supposed to be serious, urgent, even.

    But as I played the sequence back, something felt… off.

    Instead of feeling concerned, I caught myself smiling. The act suddenly felt upbeat and almost cheerful, which made no sense for what I was trying to say. After watching it a few more times, I realized what had happened: I had accidentally layered in a fun, energetic song, something that sounded more like the soundtrack to a summer commercial than a segment about a public health crisis.

    It’s funny now, but that mistake completely changed how the story felt. The urgency was gone, the tension was gone, and the message was completely lost. All from one editing choice.

    That moment made me realize how powerful editing really is. Editing doesn’t just polish a story; it defines it.

  • Listening All the Way Through – The Power of Long-Form Storytelling

    Listening All the Way Through – The Power of Long-Form Storytelling

    Working on this documentary reminded me why long-form storytelling still matters. You simply can’t condense a life story, or the complexity of systemic food issues, into a 30-second clip. A “sound bite” can spark attention, but it can’t build understanding.

    I wanted to give people the time to tell their stories fully, to speak in their own rhythm, their own pauses, and their own words. When someone talks about skipping meals to feed their kids, or how the local pantry became a lifeline, that deserves more than a highlight reel—it deserves context and compassion.

    What’s surprised me most through this process is how long-form storytelling doesn’t just inform viewers, it connects them. It gives space for emotion, detail, and reflection. It asks you to slow down, to sit with someone else’s truth. And that, to me, is where real change starts, not with quick clips or trending hashtags, but with the kind of storytelling that listens more than it speaks.

    This documentary reminded me why I fell in love with storytelling in the first place. It’s not about getting clicks or views, it’s about creating connection, empathy, and change. And sometimes, that means pressing “record,” letting the camera run, and listening all the way through.

  • The Story That Told Itself – What My Documentary Taught Me About Listening

    The Story That Told Itself – What My Documentary Taught Me About Listening

    As filming continued, the project began to evolve beyond me. It started as an idea on paper, but each person I met, each story I recorded, added something new, something alive. The documentary began shaping itself. It wasn’t just a film anymore; it was a growing, breathing reflection of everyone involved.

    Some days, I felt like I wasn’t directing the story so much as following it, learning from it as it changed and expanded. Looking back, that’s the beauty of storytelling: it never stays still. Every story leads to another, every voice opens a new door.

    And when you’re willing to listen, really listen, you realize that the process is just as important as the product. My documentary might have started as a project for school, but it’s become something much larger: a reminder that when we give stories the space to grow, they can change not only the people who watch them, but also the people who create them.

  • The Spaces Between Words – What Silence Can Say

    The Spaces Between Words – What Silence Can Say

    Silence has always fascinated me.

    When I first started interviewing people for my documentary, I used to think the most powerful moments came from what people said. But over time, I realized that the most revealing parts often came from what they didn’t, the pauses, the hesitation, and the deep breath before someone chose whether or not to share something painful.

    I’ve come to believe that silence itself can be a form of communication. Sometimes what’s unsaid carries more weight than the words that fill the air.

    In anthropology, and even in everyday life, silence can mean respect, grief, defiance, or protection. It’s a universal language that requires us to listen differently, to pay attention not just to the noise but to the spaces between it.

    That lesson reshaped how I approached storytelling. Silence wasn’t an empty gap to fill; it was part of the story itself.

  • Day 4 WJMC: Familiar

    Day 4 WJMC: Familiar

    If I had to sum up Day 4 in one word, it would be familiar—but not the kind of familiar that’s boring or repetitive. More like… comforting. Like stepping into a room and realizing everyone there speaks your language. The one you’ve been trying to speak your whole life, even when no one around you quite understood it.

    We started the day by visiting the National Press Club—and for me, that alone was a dream. I’ve watched their panels, their press briefings, and their interviews for years. Growing up, those rooms on the screen looked like distant planets filled with voices I admired but never imagined I’d stand among. So walking into that space today—actually standing in the same building that I had only ever seen through a screen—was powerful. Not because of the walls or the history, but because of the possibility. It felt like crossing some invisible threshold: from aspiring to becoming.

    But what really cracked something open in me today were the speakers.

    The entire day centered around digital media and YouTube, and that alone had my heart racing in the best way. YouTube isn’t just a platform for me—it’s part of my origin story. I started my channel during the isolation of COVID, back when the world was quiet and heavy, and I needed somewhere to put all the feelings I couldn’t say out loud. Somewhere I could be myself and still feel connected. It became my outlet. My classroom. My stage. My launchpad.

    I used it to build a community of people chasing dreams with shaky hands and big hearts. I didn’t have fancy gear. I didn’t have a budget. I didn’t even know if anyone would watch. But I had a voice. And I wanted to use it to remind people that they had one, too.

    So when Carneka Boykin, the social media specialist for The Washington Post, stepped up to the podium and started talking about how she edits her videos and crafts content for TikTok and Instagram, my ears practically perked up like a puppy’s. I had no idea the Washington Post—a legacy media giant I’d always seen as polished, traditional, and very “formal”—had an entire department dedicated to social-first storytelling. It was refreshing. And a little mind-blowing.

    She shared how long it took her to find the confidence to start. “Ten years,” she said. Ten years to just believe in herself enough to post, to speak, to create. That stuck with me. Because even though I started young, I still struggle with doubt all the time. There are days I ask myself, “Am I too young to be doing this? Do I even know enough? Who’s going to take me seriously?” And there she was—a woman I admired, doing incredible things at one of the most prestigious news organizations in the country—saying she had felt those exact same things.

    That hit hard.

    As she spoke, I couldn’t stop thinking: We’re not that different. We edit the same way. We found our passions in the same places. We used our voices even when they shook. And for the first time in a long time, I felt this strange, quiet pride rise up in me. Not loud, just a warm, steady feeling of Maybe I’m on the right track.

    Later, I got the chance to talk to her one-on-one. I shared a little about my documentary—how I’ve been filming, editing, interviewing, writing, and producing it all by myself. No team. No funding. Just stories and drive. And when I told her that, she looked surprised. But in a good way. She smiled and told me to keep going. She told me that what I was doing mattered. And I don’t think she’ll ever know how much I needed to hear that.

    Because sometimes when you’re working on something big and messy and deeply personal, you lose sight of what it even is anymore. You start comparing your behind-the-scenes to someone else’s highlight reel. But her words grounded me. Gave me clarity.

    It wasn’t just a nice conversation—it was a moment. A moment where I didn’t feel like an outsider trying to break in. I felt like a storyteller among storytellers. Like maybe this thing I’ve been obsessing over since I was little—this craving to tell stories that matter—isn’t strange or niche. Maybe it’s what I’m meant to do.

    And then came Chris Cillizza, another digital media creator who’s leaned into YouTube and built a career by adapting with the changing times. He brought humor, honesty, and a real understanding of what it means to create media in this weird, wonderful era we’re in. He talked about how the barriers are down now—how anyone can tell a story and be heard. That yes, it’s noisy, but it’s also democratized. Which means that people like me—people without the big cameras or expensive degrees—still have a shot.

    He reminded me that authenticity always rises. That people respond to real stories, not perfect ones. And I needed that reminder. Because sometimes I get caught up in wanting everything to be polished and professional, but today reminded me that the best stories are the ones that make you feel.

    Before WJMC, I knew I loved stories. I knew I wanted to use them to make a difference. But I had never stood in a room full of people who really got it—who knew the exact feeling of watching an interview come to life in editing, or who understood the thrill of uncovering a detail no one else noticed, or who believed in the power of storytelling not just as a tool, but as a responsibility.

    Today, I found those people. People whose eyes lit up the same way mine do when we talk about journalism and media and the strange magic of words. People who reminded me that I’m not alone in this dream.

    And something else happened today, too—something that snuck up on me.

    I realized I’m not as scared anymore.

    A few years ago, I would’ve been too intimidated to speak to professionals like Carneka or Chris. I would’ve convinced myself I wasn’t qualified or ready or “enough.” But today, I didn’t hide. I asked questions. I shared my story. I showed up.

    And they didn’t just listen—they respected what I had to say. That’s something I’ll carry with me long after this conference ends.

    Because today didn’t just inspire me. It reminded me why I do what I do. It reminded me that I’m not chasing some distant goal—I’m living it. And that maybe, just maybe, I’ve already begun to build the future I once thought I had to wait for.

    Today was a turning point.

    And I’m only getting started.

  • Day 3 WJMC: Empowering

    Day 3 WJMC: Empowering

    If Day 2 was about stepping into the deep end, then Day 3 was about realizing I’ve already been swimming in this ocean for a long time.

    Today was—without a doubt—one of the most transformative days I’ve ever had. It started with something called our “field assignments,” where each of us was placed at a specific location that aligned with our journalism or media interests. I was assigned to visit DC United, the professional soccer team based in Washington, D.C., and speak with their media and communications team.

    Now, I’ll be honest—I’ve never been a big sports person. I don’t follow soccer religiously or know every player’s stats. But something about this assignment stuck with me in a way I didn’t expect. What really captured my attention was hearing from the team’s press manager. He talked openly about navigating public criticism, online hate, and managing the narratives surrounding a professional team in a world where everyone has an opinion and a platform to share it.

    It hit me: storytelling is powerful, but it can also be vulnerable.

    He reminded us that not every story you tell will be welcomed. That sometimes, especially in journalism, truth-telling means facing backlash. But the point of storytelling isn’t to make everyone comfortable—it’s to share what matters. To hold space for voices that have been silenced. To keep going, even when someone tries to shut you down.

    That stuck with me. Because I’ve felt that before—especially when interviewing people who aren’t used to being heard. People who speak through translators or broken English, or who hesitate because they’ve spent their entire lives being talked over. And when I sit down with them, I make it my mission to prove that their voice matters. That I’m not here to extract a quote—I’m here to listen.

    That press manager reminded me of the importance of protecting that space. Of choosing integrity over approval. And of knowing that even when the noise gets loud, the truth is still louder.

    Later in the day, I got to do something I had been looking forward to all week: a sit-down session with someone established in the exact field I want to go into. I chose to listen to and speak with Bria Lloyd, a documentary and multimedia journalist who has helped create multiple impactful documentaries and worked across major news networks.

    From the moment she started talking, I was completely locked in. Here was someone who’d built a life doing exactly what I’ve always dreamed of—telling stories, creating change, giving people a platform—and she made it feel real. Not like a fantasy or a far-off career, but like something possible. Something doable.

    She said something that I’ll probably carry with me forever:
    “Every good documentary starts with stories. If you have the stories and you see the meaning in the message, the rest will fall into place.”

    And wow—did I feel that. Because when I first started my own documentary, I felt so unsure of myself. I didn’t have a degree. I didn’t have funding. I didn’t have a team. I was just a teenager with a camera and a notebook, trying to piece together something that mattered. I didn’t even know where to start—but I had stories. I had people who wanted to be heard. And I let that guide me.

    So hearing Bria say that? It gave me permission to trust my gut. To believe that I wasn’t doing it “wrong”—I was just doing it my way.

    And when I told her a bit about my documentary, she was surprised. In the best way. I explained that I’ve been writing, filming, editing, scripting, and producing it all myself—no crew, no studio, just me. She was genuinely impressed (which honestly blew my mind) and gave me advice on what comes next: where to submit, how to get my work seen, and how to keep pushing forward even when it feels overwhelming.

    I was so inspired that after her talk, I went up and spoke to her one-on-one. That might not sound like a big deal, but just a few years ago, I don’t think I would’ve had the confidence to do that. Talking to someone like her—someone who has done everything I hope to do—would’ve felt terrifying. But today, it didn’t. Today, it felt like the most natural thing in the world. Because we weren’t just two people in different stages of life—we were two storytellers. And we had more in common than I ever expected.

    After that, we headed to a networking mixer—an event I was especially excited about. It was basically a room full of professionals from all different areas of journalism and media, and we were given free time to speak with them, ask questions, and just learn.

    I didn’t waste a second.

    The first person I spoke to was someone who runs a news network—the person who decides what stories get covered, what leads the evening report, and what makes the cut. Talking to someone like that reminded me how much power goes into shaping public understanding. It made me think about all the people whose stories don’t make the cut and how much work we still have to do to widen the lens.

    The second person I talked to was an award-winning filmmaker who’s been featured at festivals all over the country. As someone who’s currently working on a documentary of my own, this conversation was everything. I told him about my goal of submitting my film to festivals—not just for recognition, but to raise money for food pantries and nonprofits I’ve partnered with. He shared advice and encouragement and even offered to review my work when it’s done.

    The third person I met works at National Geographic and has directed multiple documentaries and films. The kinds of projects I grew up watching in awe. Getting to speak with someone behind that level of work—and have a real, human conversation—was surreal. She was kind, honest, and deeply passionate about the stories she tells.

    And what shocked me most? They all listened to me. Like really, truly listened. They didn’t see me as “just a teenager”—they saw me as a storyteller in my own right. They were impressed by how much I’d already done, and for the first time, I really let myself be proud of it too.

    Today reminded me exactly why I do this work.

    Not because it’s easy. Not because it guarantees recognition. But because storytelling has the power to change lives. To open minds. To restore dignity.

    It was a day of challenging myself—of walking up to people who used to intimidate me and saying, Hi. This is who I am, and this is what I’m creating. And what I found was that those people? They weren’t intimidating at all. They were welcoming. They saw me. And some were even a little shocked by how much I’d already done.

    That meant everything.

    Today, I didn’t just listen to stories—I became more confident in my own. And that confidence will carry me through every documentary I make, every voice I amplify, and every moment I want to quit but choose to keep going.

    Day 3? Easily one of the most unforgettable, empowering days of my life.

  • Lights, Camera, Leadership – Building a Team After the Chaos

    Lights, Camera, Leadership – Building a Team After the Chaos

    That was the turning point for me. Instead of brushing it off, I wanted to make sure something like that never happened again. I started taking on more responsibility behind the scenes, organizing pre-show meetings, dividing the team into roles, and creating a clear routine so that everyone knew what to do when something went wrong.

    We made a checklist for every show: camera tests, lighting checks, backup mics, script reviews, and a final run-through before we went live. But it wasn’t just about organization; it was about teamwork.

    Broadcasting taught me that leadership isn’t about being the loudest voice in the room; it’s about being the calmest. When things fall apart, people don’t need someone to panic with them; they need someone to help them find their rhythm again. I learned to listen, delegate, and trust my team’s strengths.

    Over time, something amazing happened. We stopped being a group of nervous students running a show; we became a family running a production. The same people who once froze under pressure were now laughing through technical hiccups and helping each other problem-solve. Every Friday morning broadcast felt smoother, sharper, and more unified.

    Eventually, I realized that what we were doing was bigger than just a morning show, we were building a community. Broadcasting wasn’t just about reading announcements; it was about connection. We were sharing student stories, celebrating achievements, and giving people a platform to feel seen. And that all started with a team that learned how to work together after one unforgettable morning of complete and utter chaos.

    Looking back, I wouldn’t trade that disastrous first show for anything. It taught me patience, resilience, and the real meaning of leadership. Because in broadcasting, and in life, things will go wrong. What matters most isn’t the blackout itself, but how you bring the lights back on together.

  • More Than a Meal – The Dinner Table as Cultural Storyteller

    More Than a Meal – The Dinner Table as Cultural Storyteller

    Anthropologists talk about “cultural transmission,” the way beliefs, language, and customs are shared from one generation to the next, and in so many families, it happens right at the dinner table.

    When I think back to those family meals, I realize that’s where I learned some of my biggest lessons. It’s where I picked up the rhythm of my parents’ stories about growing up, where I learned my grandparents’ recipes, and where I started understanding what respect, patience, and gratitude really looked like. In between bites of food, culture was being passed along through stories, jokes, and even the occasional argument about who was doing the dishes.

    In many cultures, the dinner table is sacred. In Chinese culture, for example, meals are moments of unity, where food is served family-style to remind everyone that life is meant to be shared. In Mediterranean households, dinners can last for hours, filled with conversation and connection. Even in American life, where everything moves fast, the idea of “family dinner” has become a symbol of stability in a world that rarely slows down.

    As I got older, I started to realize that losing those dinners wasn’t just about missing time together; it was about losing the daily space where we communicated who we were. I missed the small things: the way my dad told stories about his childhood, the way my mom always asked the right questions, and the way my brother cracked jokes that made everyone laugh mid-bite.

    That’s why the dinner table matters so much. It’s not about being perfect or having long conversations every night; it’s about showing up. It’s about pausing the noise of the world long enough to listen, to talk, and to share a meal that’s more than just food.

    Because when families eat together, they remember who they are. And even as life gets busier and tables get emptier, we still carry those moments with us, the taste of home, the sound of laughter, and the feeling of belonging that only a dinner table can bring.

  • When the Story Starts Speaking Back – Finding My Voice as a Young Filmmaker

    When the Story Starts Speaking Back – Finding My Voice as a Young Filmmaker

    When I first set out to make my documentary on food insecurity, I thought I was just making a film about stories, collecting voices, experiences, and truths that deserved to be heard. But somewhere along the way, the project stopped feeling like something I was creating, and started to feel like something that was creating me.

    At the start, I’ll be honest, it wasn’t easy. Being a teenager trying to make a serious documentary came with its own set of challenges. Some people were hesitant to trust me with their stories. Others questioned if I had the experience to handle such sensitive topics. I understood their hesitation. After all, I was walking into rooms full of adults, cameras in hand, asking them to open up about deeply personal experiences with food insecurity and community struggle.

    But over time, something unexpected happened. My age, which I once saw as a limitation, became my greatest strength. People weren’t just willing to help; they were excited to. Many told me that seeing a young person take interest in these issues gave them hope. They wanted to share their stories because they believed in the reason behind why I was telling them.

    That trust built slowly, through conversations, interviews, and even moments of silence between takes.

  • The Broadcast That Fell Apart – And What It Taught Me About Communication

    The Broadcast That Fell Apart – And What It Taught Me About Communication

    I still remember my first live morning show with the Broadcast Club like it happened yesterday. The bright studio lights were shining on us, the cameras were set, the script was ready, and the whole school was tuned in, waiting to watch. The air was thick with a mix of nerves and excitement, everyone whispering final cues, tapping their notes, checking their mics. It was supposed to be our big debut, the one we had spent all week rehearsing for.

    And then… everything went wrong.

    The second we went live, the teleprompter froze. The audio feed dropped. Someone bumped the main power cord, and suddenly half the equipment went dark. For a few seconds, it was complete chaos. People were running around the control room, shouting over each other, trying to fix things on the fly. One person was frantically plugging cables back in, another was flipping random switches hoping something, anything, would work.

    From the outside, it probably looked like a comedy skit, but in that moment, it felt like the longest, most stressful broadcast of my life.

    When the show finally ended, nobody said a word. The silence that followed was deafening. I remember just sitting there, headset still on, staring at the blank monitors. That morning taught me something I didn’t expect to learn from a live broadcast: technology might drive the show, but people make it happen. And when communication breaks down, even the best tech can’t save you.